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Coming up on Paratruth Reborn, we will talk to Alex
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Pettacow about his documentary Bigfoot Beyond the Beyond the Trail,
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The Return to Area A.
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Welcome. Well, well do Para Truth Truth.
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How's it going, Paratruthers. Welcome to a brand new episode
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of Paratruth Reborn. My name is Justin and I'm Eric,
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And as I mentioned earlier, we are going to be
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talking to Alex Pettacov about his documentary Bigfoot Beyond the
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Trail The Return to Area a Al.
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Welcome to Paratruth be Born. How's it going guys, Thanks
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for having me on. It was going really really good
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to us. We all had the matching gray shirt thing
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going on. It was not planned. I swear we were
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all psychically linked for this attis it would appear that way. So, Alex,
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for the listeners who may be discovering your work for
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the first time, what led you into investigating Bigfoot and
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producing documentaries about it? Yeah, it's a good question, I guess,
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just always a kind of a curiosity for the unknown,
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you know. I got into kind of cryptosology stuff from
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a young age. It was interested in the yetti that
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led into Bigfoot and other mysterious topics as well, other
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creatures locked mass I was always interested in that, and
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then I've always been really big into the outdoors, hiking,
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backpacking all across North America at this point, but you know,
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especially when I was younger, mostly the Appalachian Mountains in
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the northeast up here. I live in New Hampshire. I
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grew up in the state, and you have a lot
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of beautiful mountains, and I kind of gain an appreciation
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for that. Did some naturalism training back in the day
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and survivalism, and that really kind of sparked my interest
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further into just enjoying the outdoors and exploration and adventure.
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And then you know, kind of combining that with a
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passion for filmmaking and invest you're looking for bigfoot in
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these kind of wilded in these wooded wilderness areas. So
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that's kind of one thing led to another, and they're
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kind of like a trinity of factors, I suppose you
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could call it, you know, the love for outdoors, of filmmaking,
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and the search for the unknown. I think they kind
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of go hand in hand. So that's what kind of
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led me down the path that I guess I'm on
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right now as we sit here talking about it.
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Okay, we've actually had talked with small Town Monsters a
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couple of times. How did your partnership begin with them?
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Yeah? I actually came in contact with Seth Breedlove who
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found in small Town Nscers almost ten years ago now.
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Believe I did a short documentary, which is very terrible
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because it's ten years old at this point and you know,
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it's come along with I'd like to say I did
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a documentary about the Locknest Monster and it was based
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off a trip I took to Locknast, Scotland, just a
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short twelve minute film, and I remember Seth actually had
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reached out to me and said, hey, I really liked
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your film. I'd love to show it at they were
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doing this Minerva Monster Day event in Ohio and he
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was like, I'd like to show it at our event
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and I was like, oh boy, someone wants to screen
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this thing. I guess he really liked it, and we
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kind of struck up a friendship after that, and then
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he approached me a year or two later after that
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asking if I'd be willing to do a series for
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small Town Monsters called on the Trail of champ which
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was a documentary series looking at the Lake Champlain mystery
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in the Northeast in Vermont and New York, which has
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this kind of America's lockness as it's called, with the
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Lake Champlain Monster. And yeah, became friends with Seth. From
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that point on, we started working collaborating every once in
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a while, and then you know, I was working on
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a bunch of his films. I would do crew stuff,
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travel around with him some of the on the Trail
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of Bigfoot type films, Momo, the Missouri Monster, just that
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sort of stuff. And then in twenty twenty one we
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started a kind of YouTube specific series called Bigfoot Beyond
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the Trail or just Beyond the Trail, which was an
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open ended, just investigative documentary series following myself on some
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of my personal investigations into Sasquatch and related mysteries, just
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sort of running gun gorilla filmmaking style, very raw and
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just kind of getting out their boots on the ground
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sort of thing. And we've been doing that now since
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twenty twenty one. Can't believe it's already been basically five
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years at this point, but through that period, you know,
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been all across the United States and Canada, really all
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over North America in search of this mystery. So it's
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taken me from many, many states. I have two states
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left that I have not been to in the US,
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you know, in general. So that's it's been quite a
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journey so far. So that's kind of how I got
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involved with small Town Monsters. And I've done a few
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other series over the years of small Town Monsters too,
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but that's kind of primarily what I've worked on in
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the duration. Okay, now, I mean there's there's tons of
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documentaries out there, docuseries about Bigfoot. What makes the big
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Foot Beyond the Traill series different from Yeah, it's I
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think what makes it different is it's just it's very
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I don't want to use the word raw, because it's
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you know, it's obviously edited, it's not unedited. You know,
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it's just not ten hours of meat standing in the woods, Like,
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no one's gonna watch that, right. I think it's just
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if you appreciate just an honest investigation, no sensationalism. I
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present it how it is, like whatever happens happens, we're
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not adding in any Oh my god, did you hear that?
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And then creepy music plays over it, so we can't
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hear anything, like none of that kind of stuff. I
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hate those type ofies. But yeah, that that drives me
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up well. And I understand why that's done because a
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lot of these you know, like network shows and they
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they're they're being edited by people who aren't really interested
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in these topics. They're just in their editors, right, and
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that's the fact and whatnot. Whereas I actually have like
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a genuine interest in the subject matter. It's not just
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a job for me. It's not just oh, I'm editing
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a bigfoot documentary and the next week I'll be doing
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a documentary about you know, storage wars or whatever. You know.
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It's not like you know that sort of thing. So yeah,
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just what sets it apart is just it's it's very
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boots on the ground. It's you know, I go to
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a location. For example, I just got back from Oklahoma
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and I'm doing a whole bunch of videos for for
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my Beyond the Trail series of you know, we go
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to an area I pick like a mountain range. I'm like,
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all right, I want to talk to local investigators, local witnesses.
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We go to the ground, we we spend time in
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the woods, we go visit the local museums, we talk
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to people who are involved in the subject, try to
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get access to know specific cases, that sort of stuff.
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So yeah, i'd say it's just if you again, if
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you appreciate the kind of the nonsensationalized sort of stuff.
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I really strive to keep it absolutely authentic at all times,
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and I would never want to compromise you know, what
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that what that is, and what that entails.
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Yeah, sure, but I think and I think that's awesome because,
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like Justin said, that's the one thing that's so frustrating
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about the big network shows is they're like, oh, listen
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to what we just heard, but then they have music
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playing over it, and it's like, what did we hear?
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You know? And then of course the one thing that
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always bothers me the most is, especially with the ghost
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documentors right go to the general investigations, is they want
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you to listen to EVP, but before allowing you to
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decipher what it is on your own, they put the
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word up there, and it's like your mind naturally makes
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that connection. It's like, well, you just feeding us information
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and we don't know if it's even accurate. So it's
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nice to have something that's raw that people can like
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feel as if they're they're doing the investigation too, and
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are witnessing it in a way in real time as
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you are.
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Yeah, I can understand the frustrations with that sort of
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approach because you're priming the audience, right. Another thing I
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really strive to do is just make sure to present information.
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And I always say it, don't take my word for it,
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do your like, make your own conclusion. You don't have
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to agree with anything I say. You know, I try
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to keep my documentaries interesting and educational, so we focus
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a lot on and this is something people have actually
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told me that have watched for years now. We get
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a lot of emails and messages people saying, you know,
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why they like the particular series is you know, I
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talk about like a specific mountain range or a specific
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area we're going to, and I really try to talk
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about some of the factors at play. You know, what's
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the geology like there, what's the habitat likes other species.
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Focus on those interesting elements and explain what And this
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is something actually I get quite a few times from
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people that live over in the UK. We have a
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lot of people from the United Kingdom that watch, and
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I get messages from them all the time where they're like,
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I never had any idea that Florida had wilderness areas
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like this right, or oh my god, I didn't know
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their New Jersey had millions of acres of forest land
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and New York State has huge amounts of forests. Because
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we go to these places that you know, people hear
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about New York or Florida and they think, oh, New
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York's all city, it's all urban. Florida, it's just Miami
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and Orlando. They don't understand it, you know, especially if
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they're not familiar with it, that these areas have these
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kind of habitats. And that's something that's been really cool
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for people that just aren't familiar with some of these
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spots that kind of like I've had one person tell
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me they've learned more about the geography of the US
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through watching my series than they ever knew of before.
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You know, somebody who's traveled in the US, which is
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really cool. Again someone else from the UK, but that's
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been really fun. Just kind of when we do get
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you know, alleged evidence, whether it's audio or anything like that,
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I always stress like I, especially if it's audio, I
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didn't see what made it right, so I cannot say
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one hundred percent what it is. And I always try
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to get people outside parties to examine my audio. I'll
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give an example now. I I was on a trip
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in Texas and I got some kind of weird audio,
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and one of my first things I do is I
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send that to people I trust. I'm like, hey, what
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do you think about this? You know what is? You
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know what could this be? Because I'm not just gonna
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put I could easily just take that audio and slap
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it on screen and be like, could it be a bigfoot? Right?
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If it's if it's some other animal, I want to
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be able to determine that and talk about it. We've
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had hair samples in the past in some of my
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videos that we found and we send them in for
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like a microscopic analysis, and they come back as you know,
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we've gotten links before, We've gotten raccoon bear, that kind
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of stuff. So I always like to explain at the
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end you'll see us collect the mystery hair sample in
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the video, and then you know, I actually send that
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to somebody that does microscopic analysis and they come back
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to me with an answer, and then I actually can
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present like the screenshots from the microscope they have and say, hey,
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this actually turned out to be a links. You know,
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this is the importance of reaching out to people who
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have these specialized skills, whether they're in the scientific world
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or academic you know, that have these abilities that you
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might not. I mean, I'm not a scientist, right, I'm
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just a filmmaker and outdoor enthusiast. So I don't claim
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to be a scientist or anything like that. But I
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have no problem with reaching out to folks with those
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skill sets to try to get some of my evidence
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analyzed and looked at. And it would be so much
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easier to just say all this mystery stuff we get is,
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you know, it's very likely bigfoot, right, I don't think
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that's that's not the truth, though. I want to present
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people with the absolute accuracy of what I'm experiencing, what
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I'm finding out there, So right.
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Yeah, why do you think, like for some those other
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shows that are on network TV, why do you think
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it is that they tend to lead people on into
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believing that what they're finding is truly bigfoot, even when
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they don't have significant evidence for it.
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Well, I think you know, those networks are not interested
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in the truth. They are interested in selling ad revenue,
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right or advertising space. That's kind of how they operate.
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You know, I know plenty of folks that have been
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involved in network television. You know, I studied film and communications,
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so I know people actually work in the industry too.
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And I also know people now that are paranormal cryptology
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researchers who do a lot of TV stuff, so they
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kind of first hand experience. So I hear from both perspectives,
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and it's it's just a job for them, right, Like
239
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a lot of these people, like a production company does