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Welcome. Well, well do Para Truth.
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Truth What's going on? Peara Truthers, Welcome to another episode
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of Paratruth Radio. My name is Justin and I'm Eric.
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And tonight we are bringing on Rob and Nonnie Douglas
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to talk about their book Unquiet Voices, The Magical Art
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of Laying Ghosts. This will be an interesting conversation. Rob
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and Nonie have been studying the esoteric arts together for
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more than thirty years. And without further ado, let's bring
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in Rob and Noni. Rob and NONI, welcome to Paratruth Reborn.
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How are you all. We're doing fine. Thank you great
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to be here.
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Yeah, thanks go Hovings.
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It's glad to finally get you od we you know,
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we were struggling.
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Yeare tons of term So something that we usually ask
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everybody is how did you get into the all things
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strange and unusual?
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It really started with me. I grew up in a
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very traditional family and always wanted to get involved in
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spirituality and magic and eventually got into it when I
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was eighteen years old. And from there people were interested in,
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you know, what's going on in their homes when things
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started to go bump in the night and so you know,
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they came to someone they thought knew about it. Okay.
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Yeah, And for me, I met Rob when I was
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twenty one. We've been together ever since. So we've been
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together for thirty years working on this kind of thing.
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It's you know, ghosts and spirits and that sort of
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thing is really part and parcel of a study of
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magic and the occult. It's not necessarily our direct and
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only interest, but it definitely is something that sort of
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captured local interests.
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It's one of those practices that's immediate. You know, there's
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a lot of philosophy, a lot of individual practice in
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esoteric systems, but when someone faces something that's immediate in
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their life, this is the type of thing that you
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can engage in and it's right there. It's incredibly practical,
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I hope.
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Well, Now, for listeners who are unfamiliar with your book,
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what does the title Unquiet Voices actually signify?
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Primarily that not all people who are deceased are ghosts? Okay,
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Ghosts tend to be those spirits that are stuck in
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between because of their attachments, so and they often reach
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out to try to communicate to us. So Unquiet Voices
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indicates that these souls that are that are bound by
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their own attachments are reaching out and they're around us
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all the time, and if we just take a moment
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to listen, we'll find them and be able to help them.
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It's also a general term for just restless spirits, those
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spirits who are just not satisfied where they are, or
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they can't move on, or they sort of somewhere in between.
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Okay, now, can you tell us a little bit why
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you guys decided to write the book.
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Oh, actually, we did a presentation at an event and
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it was incredibly popular, which surprised us, and it kind
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of pulled us into the orbit of the publishers and
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that sort of thing. We ended up in a discussion
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and we ended up writing the book. It was never
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our intention to write an esoteric book at all in
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our lives. We're in our fifties and so it's not
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really the time to start when you want to set
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up a career as a nest other writer, what kind
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of reluctant authors.
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Yeah, it really was something we felt needed to be said.
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There were enough, there was enough influence around us to
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sort of guide us towards this would be the right
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thing for us to do. We've always been very It's
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something we've held close to our chest. It's not something
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we've ever really talked publicly about, and so putting it
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into words and sharing it was it was a bit
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of a leap of faith whether there would be interest
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in this, but we were sure that there was. The
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publishers approached us and it sort of went from there.
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Well, there's always interest. I think it's just narrowing it
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down for sure.
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Yeah, And I would say that we we have a
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very particular kind of approach where we're crossing the lines
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between occultism and paranormal investigation.
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We're not paranormal investigators ourselves, however, we've been present and
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invited to participate when things are a little bit beyond
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what a situation, when it might call for a little
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bit of specialized interest or expertise.
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Having said that, we did have done many, many of
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our own investigations in private homes and for people who
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are facing a spirit disturbance. But we have worked in
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the past with other paranormal investigators and seeing their methodology
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and had that team sort of dynamic.
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Okay, Well, now, so many people seem to believe that
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necromancy is kind of a negative term signifying raising the
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dead or having the dead do your bidding and things
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like that. Probably a lot of what movies kind of
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teach people. But what is your definition of necromancy and
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why should people not be afraid?
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Well, necromancy simply means the art of working with the dead. Essentially,
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mantia means like divination or mantic speaking. But the term
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came to me sort of like in general, a specific
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esoteric art. Necromancy got its bad name from the machinations
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of the medieval church, and it got confused with another word,
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which means the black arts, and the two words became synonymous,
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and so it was the blackest and darkest of all arts,
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when in actual fact they were totally separate systems. Uh.
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Necromancy can be misused like any other magical form. But
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when it comes necrovanci is divided into two branchesanci and neciomancy.
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All right. Neciomancy is where you're you're evoking spirits of
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the dead for various magical reasons. Skiomancy is when there's
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a disturbance and you go to the location and you
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resolve the disturbance. So h, the book's really about skiomancy neciomancy.
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The word necio is a latinization of an Old Greek
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word for the type of rituals when they were within
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a place that was a liminal place between the netherworld
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and our world, So in a temple called the necromantean
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in Epirus, or at a tomb, for instance, and there
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were a set of rituals that in Greek culture they performed,
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and it sort of bled into medieval magic from there.
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Now, if there are any cautions that you would give
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people considering to practice macromancy, what would they be.
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I'd say it has to be founded in compassion and
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respect for the living and the dead. My main caution
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would be, don't jump into deep too fast. There's a
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lot of things that can go wrong when you're practicing
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these arts. And the biggest rule of thumb would probably
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be be logical. When people talk about esotericism and magic,
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they think it's like the antithesis of logic, but the
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reality is it's not. You need to be able to
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define what is caused by physical events, what is caused
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by emotional and mental issues, and what's caused by potentially
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caused by a spirit. And you have to know have
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certainty in your knowledge base in what you're doing, and
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so if you're prone to flights of fancy, then it's
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probably not for you because that will lead you down
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a very dangerous path.
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Okay, So in terms of necromancy, I think another thing
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is just to kild yourself with information. It's a very
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misunderstood term when we use it. We really are talking
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about communication with the dead. Our particular strand of necromancy
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really comes from a cultural background in laying ghos, and
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so it's a service. It's not necessarily you know, it's
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not for entertainment. It's not for thrills. It's not for
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you know, the excitement and the adrenaline that some people
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get from it. For us, it means something where you
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are thinking, have a compassion approach and trying to resolve
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a situation which may involve the living and the dead
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and things just aren't going so well. You know, being
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able to get in the middle of that confrontation and
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resolve it in a way that creates a peaceful resolution
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is really the goal of what we're talking about a
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little bit different to what you find in popular.
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Media popular media. Popular media likes to focus on the
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imagery and it boosts certain people's ego, but that's not
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what we're promoting.
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Right, Yeah, I mean, I think that's where most people's
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knowledge of necromancy comes from.
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So totally get it.
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We're incredibly boring, normal people.
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Yeah, we just sort of happened to live with one
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foot in this world and one foot among the world
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of spirits and the dead. And I think a lot
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of people do, and a lot of people are open
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to the idea, But it doesn't necessarily mean that when
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things start to go awry, when it crosses over and
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it's unwelcome, people don't know how to handle it or
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what to do, and they sometimes can immediately think that
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there's potential for danger sometimes there is, but learning how
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to analyze that and how to have a way of
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approaching it and almost a bit of a formula how
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to identify it it. Is it a problem? Isn't it
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a problem?
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You know?
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How do we control the environment. We can't always control
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the spirit, we can't always control the situation, but there
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are things that we can control that mitigate it. And
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having a real understanding on how to navigate those unseen
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realms is really where our focus is.
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Okay, Okay, so that probably kind of lines up with
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my next question here, which is how does classical necromantic
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techniques complement or enhance modern paranormal investigation tools.
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I would say it's the other way around. There's so
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much experimentation and exploration and modern paranormal investigation, from the technology,
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to investigation techniques, to experiences that are recorded. A vast
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number of experiences that are recorded that can be analyzed.
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The old methods are based on their knowledge base and
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a rational means of investigation, but we can enhance all
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of those old methods with a lot of the new
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methods when we test them and they become tried and true.
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For instance, everyone knows an EMP meter well, it helps.
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It helps to identify when there's em present, although to
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be honest, if you have experience, you can pretty much
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sense that there's a EMAT presents immediately walking into a location.
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But that was just one example.
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Yeah, I would say that when necromancy crosses and supplies
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a good foundation and a basive knowledge for modern investigators
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is really in the classifications. I think that it's really
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fundamental knowledge. It's it's a set of classifications that has
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been agreed upon and observed and worked for, you know,
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over two thousand years of recorded history in various ways,
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in various documents, and I think once we discovered that
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in some of the manuscripts and we're able to apply
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it to our own experiences and then see that it
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was consistent and that this is a working system. It
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happens in about chapter five of the book, and basically
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that piece of information, if that's the one thing that
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an investigator or an individual can take from our book,
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that's knowledge worth sharing in our opinion, because if you
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can classify spirits, you can then understand what their motivation is.
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You can understand what potential there is for harm, but
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you can also communicate that with other people in a
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coherent and articulate way.
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It also helps in streamlining how you're going to proceed
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with your investigation and the cautions you need to take.
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Okay, now we've talked about the misconceptions about necromancy, but
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there are a lot of misconceptions about spirits. What they are.
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You know, you ghosts at the beginning are are completely
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different than spirits. What are some of the most common
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misconceptions about spirits that people have.
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I think that there's a sort of sense of us
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and then and really it's more like like the global
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community expanded out into multiple worlds. So you have spirits
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that aren't human that we do interact with that turn
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up every now and again, and knowing them and knowing
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their nature is necessary when you're doing an investigation to
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be able to identify that this is not a ghost
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and therefore has to have other means to interact with it.
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When it comes to classifying human spirits, it's about it's
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really based on their behavior and the condition that they
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are in, read their attachments, and it's kind of psychological.
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You have of a way of knowing or guessing how
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they're going to react by what classification they are, so
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that you can tailor your investigation to get the best effect,
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to find a resolution in the quickest and most efficient way.
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I think that one of the major misconceptions that is
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so easy to blow out of the water in popular
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media is just so you know some of the nature
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of manifestations and what they mean. When a spirit manifests
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into a space, it's because the conditions are right. It's
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not necessarily because they're trying to manifest, although sometimes that
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might be, but very often it's just that we're getting
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a little glimpse. We're sort of seeing the manifest you know.
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Shadow figures are really just, you know, something that you
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might see at a stage of manifestation. It doesn't make